Steve Jobs introduces Macintosh
This is the original video showing Steve Jobs introducing the Mac to the world. The crowd’s reaction is amazing to hear, approaching hysteria.
This is the original video showing Steve Jobs introducing the Mac to the world. The crowd’s reaction is amazing to hear, approaching hysteria.
Steven Levy, on how he came to be part of the Mac’s 1984 launch:
Almost no one remembers who played in the Super Bowl (the Los Angeles Raiders lost to the Washington Redskins. Like I said, 1984 wasn’t like 2014). But the commercial, aired two days before the Mac launch, is part of history, and many can recite the tagline verbatim: “On January 24, Apple will introduce Macintosh. And you’ll see why 1984 won’t be like ’1984.’”
Jobs also planned a massive advertising campaign to follow, including a complete mini-publication that would run in multiple magazines. But, as he would do often in his subsequent career, Jobs relied on the news media to provide the narrative focus for his effort. He decided to give the exclusive story, along with early access to the team, to Newsweek and Rolling Stone, though he also gave briefings to a new magazine called Macworld.
I was the Rolling Stone writer.
Great read.
Tim Cook and the team will appear on ABC’s World News with David Muir this evening at 6:30 pm eastern time to discuss the 30th anniversary of the Mac.
This picture is from David Muir’s twitter feed, showing him on set with Tim Cook, Craig Federighi, and Bud Tribble:
MacWorld’s Jason Snell spoke with Phil Schiller, senior vice president of worldwide marketing, Bud Tribble, vice president of software technology, and Craig Federighi, senior vice president of software engineering, about the Mac’s thirty years of evolution.
Phil Schiller:
“Every company that made computers when we started the Mac, they’re all gone,” said Philip Schiller, Apple’s senior vice president of worldwide marketing, in an interview on Apple’s Cupertino campus Thursday. “We’re the only one left. We’re still doing it, and growing faster than the rest of the PC industry because of that willingness to reinvent ourselves over and over.”
Bud Tribble:
“An incredible amount of thought and creativity went into the original Mac metaphor,” Tribble said. “So there are some extremely strong threads of DNA that have lasted for 30 years. The sign of the strength of them and the underlying principles behind them—that the Mac should be easily approachable and learnable by just looking at it, that it should bend to the will of the person and not bend the person’s will to the technology—those underlying threads also apply to our other products.”
Craig Federighi:
“The reason OS X has a different interface than iOS isn’t because one came after the other or because this one’s old and this one’s new,” Federighi said. Instead, it’s because using a mouse and keyboard just isn’t the same as tapping with your finger. “This device,” Federighi said, pointing at a MacBook Air screen, “has been honed over 30 years to be optimal” for keyboards and mice. Schiller and Federighi both made clear that Apple believes that competitors who try to attach a touchscreen to a PC or a clamshell keyboard onto a tablet are barking up the wrong tree.
“To say [OS X and iOS] should be the same, independent of their purpose? Let’s just converge, for the sake of convergence? [It’s] absolutely a nongoal,” Federighi said. “You don’t want to say the Mac became less good at being a Mac because someone tried to turn it into iOS. At the same time, you don’t want to feel like iOS was designed by [one] company and Mac was designed by [a different] company, and they’re different for reasons of lack of common vision. We have a common sense of aesthetics, a common set of principles that drive us, and we’re building the best products we can for their unique purposes. So you’ll see them be the same where that makes sense, and you’ll see them be different in those things that are critical to their essence.”
Thirty years ago today, Apple first introduced the Mac. From Apple’s front page:
Happy Birthday, Mac.
In 1984, Apple introduced the world to Macintosh.
It was designed to be so easy to use that people could actually use it.
And it came with a promise — that the power of technology taken from a few and put in the hands of everyone, could change the world.
That promise has been kept.
Today, we create, connect, share, and learn in ways that were unimaginable 30 years ago.
Imagine what we can accomplish in the next 30 years.
Inside the site, there’s a beautifully laid out timeline showcasing a variety of Mac highlights over the years.
And, perhaps my favorite, is this video:
The idea that Google’s Android mobile software is both “free” and open-source is so often repeated that it is virtually an article of faith online. There’s only one problem: neither is strictly true.
Google doing what Google does.
Great site put together by Jonathan Zufi, the man behind the Iconic book.
This sleek 2×6 Thunderbolt audio interface for Mac combines the same high-quality 24/192 kHz audio conversion of Universal Audio’s acclaimed Apollo series with onboard Realtime UAD SOLO or DUO Processing. With its ergonomic desktop design, rugged aluminum construction, and front panel headphone and instrument connections, Apollo Twin allows Mac users to record in real time (at near-zero latency) through the full range of UAD Powered Plug-Ins.
I had some time to play with this today and it’s gorgeous. It’s like a mini version of the Apollo that delivers the same high-quality audio that we’ve come to expect from UA. It’s rugged too, so it will travel well.
I need one of these guitars. NEED.
The AC15C1-V-RD limited edition features a Celestion V-Type speaker, custom “British Garnet red” tolex and Bronco patterned Tygon grill cloth. This custom colour projects a powerful presence in any environment – on stage, in the studio, or at home. The V-Type speaker has been built using a carefully balanced ‘recipe’ of both old and new design techniques. It’s a sweet-sounding speaker with a superbly balanced tonal signature that imparts a vintage musicality with authentic Celestion tone that’s suitable for any playing style.
I want one of these amps. I love the Vox sound.
Korg releases Gadget for iPad, a mobile synthesizer studio that offers the ultimate mobile synth collection for iPad. It was designed for anyone looking to explore software synthesis, musicians looking for a diverse palate of synths in one integrated app, or those looking to take their iPad music production to the next level.
Avid today introduced Eleven Rack Editor, providing owners of the Eleven Rack guitar system with a faster, more open workflow for creating and editing high-quality, inspiring guitar tones. The no-cost application makes Eleven Rack software control available for Pro Tools 11 and third-party digital audio workstation solutions.
This is huge news for Eleven Rack owners, like me. As a standalone app, I can now use Eleven Rack with any of my software applications.
Gretsch is a legendary brand, but I don’t know how I feel about this acoustics.
Enjoy incredibly fast and powerful editing of high-quality pictures. Fully optimized for the new Mac Pro, Pixelmator makes image editing completely seamless. Leveraging the full power of dual-GPU architecture, Pixelmator now supports 16-bit per channel images for the first time.
There are so many changes in this new version, including the ability to order prints and many other features. Great update.
My Taylor is the best acoustic I’ve ever played.
It takes a special kind of magic to make an electric one-wheeled motorcycle not terrifying to ride, and Ryno Motors has pulled it off. The microcycle, which has a single 25-inch motorcycle tire and reaches speeds up to 10 mph, uses a combination of gyroscope sensors and accelerometers to balance itself.
I saw this when I lived in Portland OR and it looked very interesting – if just as dorky as a Segway. If they were legal in your town, would you buy one?
Ars Technica:
To get “online” was to sit down at your computer, open up an application called a “terminal program” (or just “term program” for short), pull up your carefully hoarded list of BBS phone numbers, and start dialing. Inevitably, most would be busy and you’d have to wait, but eventually you’d be treated to the sweet sound of ringing through your modem’s speaker, followed by the electronic beeping and scratching of a modem handshake.
I remember all of this. In related news, I’m old.
Test Your Vocabulary:
English has the most words of any language on Earth.TestYourVocab.com is part of an independent American-Brazilian research project to measure vocabulary sizes according to age and education, and particularly to compare native learning rates with foreign language classroom learning rates.
According to the test, I know over 36,000 words. I bet a lot of them are just different words for beer.
CNET:
If you’ve ever wanted to take a spin around the “Top Gear” test track in the UK, but don’t qualify as a Star in a Reasonably Priced Car, now’s your chance.
As a fan of the UK TV show Top Gear, I really enjoyed “chasing” The Stig around their track.
Line 6 on Thursday announced a new amp it is calling AMPLIFi. While the amp was just announced today, I’ve been using one for the past couple of weeks to test it out.
AMPLIFi is an interesting blend of an amplifier and a hi-tech music system. The amp has all of the knobs you would expect a traditional amplifier to have, but it’s also Bluetooth-enabled so you can connect your iPad to the amp wirelessly.
This is where the real magic of AMPLIFi comes from. While connected to the amp you can scroll through more than 200 different amps and effects, changing the sound of the hardware unit. You can also save any preset you make directly to the amp and recall it at any time.
AMPLIFi has a unique design that guitar players will like. Unlike most modeling amps—even older Line 6 models—there is no screen to make adjustments on the hardware itself. Without the iPad app, AMPLIFi looks and feels just like a traditional amp, although you can still change presets by pressing a button on the hardware or changing with a foot pedal.
I have the 150 watt version of the amp and it is loud. You could easily gig and rehearse with the amp, but that’s not really what I think it’s main purpose is. AMPLIFi has a couple of more cool tricks built-in.
On the iPad app if you tap to play a song, it will automatically suggest tones from Line 6’s Custom Tone library. You tap the tone you want and it is automatically sent to the amp, giving you a sound just like the song you are practicing. In my tests, this worked pretty good. Of course, tones change depending on the guitar you are using, but it was close enough to get you started.
The other feature that I really liked was the Blend knob. This is a custom volume knob that also allows you to blend in the volume of the music you are playing along with. Because AMPLIFi is also a music system, the songs being played through the amp sound incredible. If the volume of the guitar is too low, you just push down the volume knob, which activates the blend feature, allowing you to turn up the guitar to match the volume of the song you are playing.
Learning new songs, whether you’re an experienced pro or just starting out, can be a pain in the ass. Songs are recorded differently, so you have to keep adjusting the volume to get it right. Because the blend knob is using the music system and amplifier of AMPLIFi, it’s a matter of seconds to get the volume matching set correctly.
If I had one complaint about AMPLIFi, it would be with the iPad app. Line 6 went for a flat design is the app—in my opinion, they went too flat. Music is one of those places that skeuomorphism really works and Line 6 has always done a great job designing their apps using representations of the amps and effects. This new iPad app is kind of bland for my liking.
I understand why they made the design choices they did, but I think there are ways they could have held on to the coolness and still designed a functional app for users.
Having said that, the app works great. You can access all of the controls of the amp, effects, signal chain and even the Blend knob from the app without ever touching the amp.
AMPLIFi Remote is compatible with iPod touch (5th generation), iPhone 5s, iPhone 5c, iPhone 5, iPhone 4s, iPhone 4, iPad (3rd and 4th generation), iPad Air, iPad 2 and iPad mini.
Overall, I loved AMPLIFi, both as a guitarist and from a technology standpoint. The 75 watt version costs $399 and the 150 watt model is $499. This is an amp I’ll be using a lot.
The mechanics of this particular scam are fairly sophisticated. Most readers would be cautious enough to avoid this trap, but even so, this is worth a read.
Bill Gates is on a PR tour to promote the latest edition of the Gates Letter, the annual missive from the Gates Foundation detailing the current focus of the foundation. This year’s letter is called “3 myths that block progress for the poor”. Take a few minutes to read it. No matter your opinion of Bill Gates and Microsoft, this stage of his life is being well spent, in service to others.
One of his recent appearances was on Jimmy Fallon’s show. He spoke about his foundation, about ridding the world of diseases like polio, then Bill started talking about his vision for the future of computing. At some point (about 1:30 in the video if you want to skip ahead), Bill got a little distracted by something on Jimmy’s desk. Something not made by Microsoft. Pretty funny.
When Ian Fleming created the James Bond character, he equipped him with a .25 calibre Beretta M418. Avid Bond fan Geoffrey Boothroyd objected to this choice (too light, limited stopping power) and wrote a letter to Fleming:
I have, by now, got rather fond of Mr. James Bond. I like most of the things about him, with the exception of his rather deplorable taste in firearms. In particular, I dislike a man who comes into contact with all sorts of formidable people using a .25 Beretta. This sort of gun is really a lady’s gun, and not a really nice lady at that. If Mr. Bond has to use a light gun he would be better off with a .22 rim fire; the lead bullet would cause more shocking effect than the jacketed type of the .25.
May I suggest that Mr. Bond be armed with a revolver?
Great story.
Users of flagship smartphones such as Apple’s iPhone 5s and Samsung’s Galaxy S4 are continuing to suck down more data than their tablet-wielding counterparts, according to a large-scale survey of mobile data consumption in 2013 conducted by JDSU (which last year bought mobile data analytics company Arieso, the company that previously ran the annual survey).
Is there something about the evolution of the architecture of mobile phones that makes later models consume more data? Is there a correlation to the adoption rate of the most recent OS rev? In other words, the latest model of a phone enables faster transmission speeds and typically runs the latest OS. Or is there something more complex at work here?
The story behind what may have been the biggest Internet failure in history involves an unlikely cast of characters, including a little-known company in a drab building in Wyoming and the world’s most elite army of Internet censors a continent away in China.
On Tuesday, most of China’s 500 million Internet users were unable to load websites for up to eight hours. Nearly every Chinese user and Internet company, including major services like Baidu and Sina.com, was affected.
Technology experts say China’s own Great Firewall — the country’s vast collection of censors and snooping technology used to control Internet traffic in and out of China — was most likely to blame, mistakenly redirecting the country’s traffic to several sites normally blocked inside China, some connected to a company based in the Wyoming building.
Fascinating.
Is this creepy? A form of stalking? Not sure, but it certainly is clever and a great little read. And, bottom line, it worked!
Fender’s Allen Abbassi gave me a demo of the 60th Anniversary Strat. What a beautiful guitar.
[wpvideo kzu3hBzZ]
These are the guitars that Fender will show tomorrow at NAMM. I was in heaven wandering around the booth.
While at NAMM, Jim joins Dan and special guest Merlin Mann to talk about their favorite Macs new and old, the future of the computer in the home, the power of portable and wearable devices, amps, guitars, Yamaha’s purchase of Line 6, new gear, why Jim isn’t getting a new Mac Pro, and more.
Sponsored by OmniGraffle (use code for % off), Harvest (use code 5BY5 for 50% off), Hover (use code BEARD for 10% off your first purchase), and Shutterstock (use code DANSENTME114 for 25% off).
I love the idea of this. Watch the movie on the site to see it in action.