I have become a big fan of John Voorhees’ game reviews for MacStories. If John points out an iOS game, I’ll inevitably end up loving it.
This one, Yuri, looks like another winner. Thanks, John.
I have become a big fan of John Voorhees’ game reviews for MacStories. If John points out an iOS game, I’ll inevitably end up loving it.
This one, Yuri, looks like another winner. Thanks, John.
The linked article is a detailed criticism of Apple, and ends with this quote from Phil Schiller, from his appearance on John Gruber’s WWDC Talk Show, back in June of 2015:
We don’t need to be told how great we are, and how big we are. It’s not about that, and we don’t want it to become about that. It’s not about P/Es, and it’s not about market value. I mean, sure, the finance team has to worry about that. But for the rest of us, it’s about: Are we making the best product? Do people love what we do? Is it changing lives? And if it isn’t, then beat us up until it is.
Take some time to read the whole piece. There are some common themes (notably, the way Apple approaches UX and content discovery), and the sense is that the author is truly trying to help spot problems, rather than (as the title suggests), point to Apple’s inevitable doom.
On Friday, we reported on Apple’s billion dollar Qualcomm lawsuit.
Qualcomm has since released this official comment:
“While we are still in the process of reviewing the complaint in detail, it is quite clear that Apple’s claims are baseless. Apple has intentionally mischaracterized our agreements and negotiations, as well as the enormity and value of the technology we have invented, contributed and shared with all mobile device makers through our licensing program. Apple has been actively encouraging regulatory attacks on Qualcomm’s business in various jurisdictions around the world, as reflected in the recent KFTC decision and FTC complaint, by misrepresenting facts and withholding information. We welcome the opportunity to have these meritless claims heard in court where we will be entitled to full discovery of Apple’s practices and a robust examination of the merits,” said Don Rosenberg, executive vice president and general counsel, Qualcomm Incorporated.
Fighting through the court of public opinion.
Debbie Wu, Nikkei Asian Review:
Key iPhone assembler Hon Hai Precision Industry is mulling a joint investment with Apple topping $7 billion for a highly automated display facility in the U.S., Chairman Terry Gou said Sunday.
Note that Hon Hai Precision Industry, Ltd, trades as Foxconn. They are one and the same.
And:
“Apple is willing to invest in the facility together because they need the [panels] as well,” Gou told reporters after the company’s annual year-end party in the Nankang district of Taipei. The U.S. production site eventually would create 30,000 to 50,000 jobs, the Taiwanese tycoon said.
And:
In addition to the proposed display facility, Gou said Foxconn plans a new molding facility in the U.S., with the state of Pennsylvania a possible site following investment discussions with local officials.
And:
Gou also said Smart Technologies, a Foxconn-controlled interactive display startup based in Canada, may move south of the border now that U.S. President Donald Trump has signaled his intent to renegotiate the North American Free Trade Agreement.
Very interesting. This seems just the beginning of the evolution of Apple’s production process.
Neil Cybart, Above Avalon:
During the last few years of the Steve Jobs era, it was Cook (and Apple SVP Marketing Phil Schiller) who were tasked with coming up with Apple’s corporate strategy. This allowed Steve Jobs to spend time with Jony Ive and focus on the product. Said another way, Tim Cook was the one that allowed Steve to be Steve.
When it came time to relinquish his CEO title, Steve selected Cook as his successor. While the move was met with controversy outside Apple, the selection signaled that Steve didn’t look at the CEO position as something that needed to be held by a product person. Much of that belief likely resulted from the fact that Cook had been handling many of the traditional CEO duties himself as COO for years.
And:
Tim Cook is leading a different type of Apple than that which existed under Steve. Things are done differently, down to how decisions are made and then communicated throughout Apple. This leads to a theory that may seem controversial today but is becoming increasingly clear as time goes on. It is impossible to grade Tim Cook as CEO without grading Cook’s inner circle.
While Cook has at least seventeen VPs and SVPs reporting directly to him, a very high number, there is evidence that many of the key decisions regarding Apple’s strategy are determined by a much smaller group of SVPs. This team likely includes Eddy Cue, Phil Schiller, and Jeff Williams. The three have been at Apple since the 1990s, experiencing Apple at its best and also worst. Eddy Cue joined Apple in 1989.
And:
The removal of Scott Forstall as SVP of iOS back in 2012 takes on a new level of importance when discussing the topic of Tim Cook and his inner circle. It has been reported that Forstall did not get along with other Apple executives. While we have never officially heard Forstall’s side of the story, which is odd, Cook’s desire for a powerful inner circle does support the theory that Forstall was removed in order to position this tight-knit group of Apple SVPs as a type of brain trust. Forstall was clear in his ambitions to one day be CEO. Cue, Schiller, and Williams don’t hold similar ambitions. Instead, ideas are bounced off each other and disagreements are hashed out within this group before being funneled to the rest of the company. Forstall threatened to throw off this dynamic and risk having Cook’s leadership structure collapse.
There’s a lot of insight here. Neil Cybart does an excellent job breaking down the big picture, explaining the complex model that is the Apple executive team.
Whether you agree with the grades at the bottom or not, the post itself is definitely worth making your way through.
Josh Centers, TidBITS:
AppleInsider caused a bit of a stir when it reported that the TV app for iOS and tvOS now supports playing Netflix content. As you may recall, Netflix hasn’t yet agreed to integrate with the TV app (see “tvOS 10.1 Unifies the Apple TV Experience with “TV” App,” 12 December 2016). However, the AppleInsider report is correct in that you can indeed find and stream Netflix content from the TV app. But TechCrunch’s Matthew Panzarino correctly pointed out that such functionality has been there from the launch of the TV app.
So what’s the deal? Netflix doesn’t work with TV, but it also does work? It’s a bit like the famous Schrödinger’s cat thought experiment, in which a cat in a box is simultaneously alive and dead. But unlike quantum mechanics, there’s a simple answer to this conundrum.
We wrote about this yesterday. Glad Josh was able to clarify. Read his post for the details.
Just a taste:
The Touch Bar’s accessibility support is bountiful. There is a lot of functionality built into that little strip, all of which makes using the Touch Bar easier. The one feature that stands out the most is Zoom. Zoom is where the magic happens, and it’s my favorite Touch Bar accessibility feature.
What Touch Bar Zoom (System Prefs → Accessibility → Zoom → Enable Touch Bar Zoom) does is bring up a virtual Touch Bar on the bottom of the screen when you touch anything on the Touch Bar. Slide your finger back and forth, and the Touch Bar (real and virtual) moves accordingly. A circle icon follows your movement that fills in (think: iOS app updates in App Store) when you select an option, but Apple tells me you don’t need to wait for it to fill completely to select an item. In practice, I find Touch Bar Zoom to work great; animation is smooth and there’s no no lag between moving through and selecting options.
Nice job, as always, by Steve Aquino. No one does detail like Apple.
Great essay on business and luck. Two highlights:
If you have a choice between listening to the best cellist perform the piece or the second best, why would you want to listen to the second best? You might be willing to pay a few cents more only to hear the best, because they’re all good. But, even if you’d be willing to pay a few cents more, the fact that there are millions of copies of these things sold means that the fact that the company that bids successfully for Yo-Yo Ma or whoever is regarded as the best cellist is going to get that market all to himself.
And so the price that you have to pay to get the best recording artist is set accordingly. One earns eight or nine figures a year while the cellist who is almost as good is teaching music lessons to third graders in New Jersey somewhere. It’s a dogfight now to see who gets to be regarded as that best performer. The person who is eventually successful got there by defeating thousands, maybe tens of thousands, of rivals in competitions that started at an early age.
And this, on Bryan Cranston and Breaking Bad:
Vince Gilligan wanted to cast him as Walter White right from the beginning. The studio bosses didn’t want that. It was going to be an expensive production. They were experimenting to see if AMC could carve out a new role for itself in the cable firmament. And so they were going to put a lot of money behind this series and they wanted an A-list dramatic actor. I think at the time Cranston was best known for playing the dad in Malcolm in the Middle, which is a sitcom I never even saw. Apparently he was pretty good in that role, but it wasn’t a leading dramatic role to be sure.
They wanted a more visible, dramatic actor. At the studio bosses insistence Gilligan offered the part of Walter White to John Cusack. Cusack turned it down. They offered it to Matthew Broderick. Broderick also turned it down. I don’t remember which one had the first crack at it. Both of them turned it down. Gilligan went back to the bosses and again pleaded his case. Finally they reluctantly allowed him to cast Cranston as Walter White. And, you know, White was the breakout part of that series. He got four Emmys in the show’s five seasons. He is today one of the very most sought after actors in his age group. But I still wouldn’t have heard of him except that Cusack and Broderick turned the role down first.
Terrific read.
I tried this out this morning. Brought up the TV app on my iPhone, searched for a show I know is on Netflix. Sure enough, the search revealed two options: Rent the show via iTunes, or open it via Netflix.
This is a solid step forward for Apple, Apple TV, and searchability.
Now if only Amazon would deliver their promised Prime Video Apple TV app. I suspect that ship has sailed.
UPDATE: Check this tweet from Tech Crunch Editor-in-chief Matt Panzarino:
Checked this out – looks like false alarm, this stuff has been in there from launch. No new integrations afaik.
Not sure which is correct. I don’t recall this level of integration with the TV app.
Fire Emblem is huge in our house. First question asked was, “Is this a port for iOS, or a new game?”
Fire Emblem Heroes is a new game, from scratch.
Here’s Nintendo’s press release.
And a tweet announcing the date:
Fire Emblem Heroes will be released on iOS and Android on February 2. #FEHeroes
And, finally, here’s the official web site, with videos.
Joe Rossignol, MacRumors:
Earlier this month, Swift creator Chris Lattner announced he will be stepping down as director of Apple’s Development Tools department to lead Tesla’s Autopilot engineering team as VP of Autopilot Software.
Joe got these two quotes from Chris:
I’ve been writing code for more than 30 years, and 16 of those years have been in the developer tools space. I love it, but I am ready to move on to something else. Autopilot is clearly incredibly important to the world because of its ability to save people’s lives (and increase convenience). It is also a very, very hard technology problem and my experience building large scale software and team building is useful. Of course, I’ve also been a huge Tesla fan for some time.
And:
This was a very difficult decision, because I care deeply about the technology and people at Apple and because I could see myself staying there for many more years. In the end though, the opportunity to dive into a completely new area and work with the amazing Tesla Autopilot team was irresistible.
Class statements, both. Tesla is lucky to have him.
I wouldn’t say nobody noticed, but clearly the wave of publicity centers on the AirPods, rather than on the W1 chip. That quibble aside, Matt Weinberger, Business Insider, writes:
The magic happens when you’re using a W1 headset with an iPhone, iPad, Apple Watch, or Mac.
First, you turn it on next to your unlocked iPhone or iPad. Second, you click “connect.” Now they’re automatically paired with any other Apple gadget that’s signed in to your iCloud account. Switching from iPhone to Mac and back takes a click.
And:
Apple’s W1 confers other benefits, too. When you’re using it with an Apple gadget, the chip grants tremendous range — with the Beats Solo3, I was able to vacuum my entire small house with my phone charging in the bedroom without losing audio. Better yet, W1 uses some kind of magic optimization technique to greatly extend battery life.
And:
It means Apple has something that no Android phone — or Windows laptop, for that matter — can match. It also opens the door for a world where people are always wearing their headphones, with Apple’s Siri only a tap away.
Apple’s competitor to the omnipresent Alexa is hiding in plain sight — in the iPhones and iPads that more than a billion people own and in the wireless headphones that Apple is so keen to push. In other words, the W1 brings together all the pieces of the Apple puzzle, from Siri to Beats to the iPhone, in a way that hasn’t been done before.
Interesting point. While Alexa is winning the early adopter battle, Apple is planting seeds with the W1 Bluetooth chip for a much longer play. If you buy a device with a W1 chip inside, you’ll see immediate and tangible benefits to switching over to a macOS or iOS device.
Stanford’s Center for Digital Health:
The Stanford Center for Digital Health (CDH) invites applications for its inaugural seed grant program focused on innovative uses of the Apple Watch in healthcare. This seed grant program is designed to stimulate and support creative uses of the Apple Watch to address important issues in healthcare. We are particularly interested in high impact projects that will positively influence the selected study population and/or clinical workflow.
They are giving away $10K in funding and 1,000 Apple Watches. Sadly, the RFP limits applications to faculty and instructors.
[VIDEO] I find this fascinating. Steve Jobs likeness and voice being used to pitch a non-Apple product. In this case, both spots are for the Obama-created U.S. Digital Service.
Jump to the main Loop post to read about and see both spots.
Zac Hall, 9to5Mac:
AirPods are a totally different product than my wireless Bose QC35s which have longer battery life and active noise cancellation not to mention superior audio quality, but AirPods were easily preferred as my travel earphones after real world testing for a few reasons.
Nice detailed overview on pros and cons (mostly pros) of flying with AirPods. I do tend to travel with noise canceling over-the-ear headphones, but Zac makes the AirPods sound like a reasonable alternative, especially if packing space is tight.
Good read.
Rene Ritchie, commenting on the September iPhone 7 rollout:
Where before you could press firmly on your iPhone 6s display to trigger 3D Touch and get a reassuring “thump” in response, with iPhone 7 you get a broader, deeper, more sophisticated range of responses.
Some of them are delightfully subtle: Spin through a date or time picker and you can feel a slight “tock” for each number. Thumb across alternate characters on the keyboard and you can feel a little “tick” for each accent.
Then this discussion of Nintendo Switch haptics, from the NeoGaf forums:
The demo that blew my mind was the marble box.
Imagine you are holding a small wooden box, with x amount of marbles inside. As you move the box, you can feel them move and clack against each other.
The Joy-con can emulate this feeling incredibly well, I was able clearly feel three separate marbles rolling down the side of the Joy-con and then each hitting each other as they got to the bottom.
What started as something simple (vibrate mode) has matured into a subtle science with broad applications.
Good post from Rene. Looking forward to seeing this evolve.
Music Business Worldwide:
According to a recent report from the much-respected Midia, there were 100.4m people paying for music streaming subscriptions at the end of 2016.
The company’s Mark Mulligan estimates that around 43m of these were subscribing to Spotify, with 20.9m signed up to Apple Music, 6.9m to Deezer, 4.5m to Napster and just 1m to TIDAL.
The rest of the 100.4m subs were made up of other services, suggest Midia’s numbers.
And:
Meanwhile, Netflix is currently forecasting that it finished 2016 with 87.8m paying subscribers – a 24% jump on its Q4 2015 number (70.8m.)
Both are still growing by leaps and bounds, but music streaming, at the moment, is growing more quickly.
Here’s a link to the original streaming report from Midia.
Hope this isn’t the closest we come to the real thing.
Note that you can do this in both iOS and macOS. On macOS, tap the Details button (upper right corner) on an individual thread to reveal the Send Read Receipts checkbox.
[VIDEO] The video (embedded in the main Loop post) is Nintendo’s public presentation of their new console, the Nintendo Switch. If time is limited, jump to about 38 minutes in, where the real stuff starts.
And read the linked Washington Post piece, which does a good job highlighting the important features.
Hoping the Switch is better than the WiiU.
Jean-Louis Gassée, Monday Note:
Much has been said about the original iPhone’s success factors: an innovative multi-touch interface, a never-seen-before combination of cell phone, iPod and Internet “navigator”. All good, but missing one crucial element: removing the carrier’s control on the iPhone’s features and content.
Steve Jobs did what only he could do, get AT&T to give up control:
Before the iPhone, handsets received the same treatment as containers of yogurt in a supermarket chain. The central purchasing office told the yogurt makers which flavors to ship, when, where, at what price, with payment at some point in the future after we’re sure there are no more returns. And don’t forget to send your people to make sure the labels line up on the shelves.
And:
This was anathema to Jobs, himself notoriously control-hungry. He wasn’t going to allow mere carriers to control what the iPhone did and contained.
Read the post. As usual, Jean-Louis delivers the goods.
Benjamin Mayo, 9to5Mac:
Apple is rising the prices for apps and in-app purchases in a few countries following changes to exchange rates and taxation policy, with customers in India, Turkey and the United Kingdom to see price increases.
In the United Kingdom, one of Apple’s largest markets, app prices are rising up more than 25% following the weak pound exchange rate after the Brexit vote. An app sold for $0.99 in the US will now cost £0.99 in the UK, up from £0.79.
That is an increase of about 25% and similar rises will be seen at every price tier when the changes hit the App Store in the coming days. A Tier 2 priced app now costs £1.99 in the UK up from £1.49. An In-App Purchase that previously cost £7.99 will now be priced at £9.99, like the ‘All Worlds’ upgrade for Super Mario Run.
Interesting post. Read the comments. This obviously runs much deeper than an App Store price rise.
Click through to the main Loop post for details on some experience with Best Buy shipping AirPods in only 3 days from order. Your mileage may vary.
For background, start with this post from last Thursday, which digs in to a Wall Street Journal report that Apple has big plans for original TV and movie content.
Jimmy Iovine added more, speaking to reporters. From the Hollywood Reporter:
“If South Park walks into my office, I am not going to say you’re not musicians, you know?” Iovine continued when pressed about the report. “We’re going to do whatever hits popular culture smack on the nose. We’re going to try.”
And:
Iovine said the hope for Apple is that it will be better able to compete with streaming music competitors like Spotify and Pandora, which are largely free for users: “We’re fighting ‘free.’ So a simple utility where, ‘here’s all the songs, here’s all the music, give me $10 and we’re cool,’ is not going to scale.”
Interesting point. Apple is fighting free, needs to raise the value of their offering to make Apple Music a compelling value.
Wall Street Journal:
Apple Inc. is planning to build a significant new business in original television shows and movies, according to people familiar with the matter, a move that could make it a bigger player in Hollywood and offset slowing sales of iPhones and iPads.
These people said the programming would be available to subscribers of Apple’s $10-a-month streaming-music service, which has struggled to catch up to the larger Spotify AB. Apple Music already includes a limited number of documentary-style segments on musicians, but nothing like the premium programming it is now seeking.
The technology giant has been in talks with veteran producers in recent months about buying rights to scripted television programs. It also has approached experienced marketing executives at studios and networks to discuss hiring them to promote its content, said people with knowledge of the discussions.
And:
In addition to TV, Apple indicated to these people that it is considering offering original movies, though those plans are more preliminary.
Executives at Apple have told people in Hollywood they hope to start offering original scripted content by the end of 2017.
Strikes me as an approach similar to Amazon’s. Amazon offers free video content with your Prime subscription. Pay for free shipping, we’ll sweeten the deal with a range of original, high quality content.
As far as I know, Amazon has not yet made any bundle deals for their content, corralling their offerings inside their ecosystem. Will Apple do the same? It certainly would swing customers away from Spotify towards Apple Music. And, if the video offerings were substantial enough, some customers would sign up for the video and look at the music as a nice side benefit.
Andy Ihnatko, writing about fake news:
I’ll use Apple as an example. They had a problem on their hands in the form of a deeply-negative Consumer Reports headline: “New MacBook Pros Fail to Earn Consumer Reports Recommendation.” CR had tested the new MacBook Pros and concluded that the battery life of all three models were insanely inconsistent.
Response Option 1: Apple calls the report “Fake News” and dismisses Consumer Reports as “failing, sad, and pathetic.” Next question.
Response Option 2: Apple disagrees with CR’s findings and tries to substantiate their results. An examination of CR’s testing methodology — done with the publication’s help — reveals no fudging, but identifies many quirks in the test protocol that probably contributed to a suspicious result.
Apple did exactly the right thing. If the original CR review was totally screwy, it shouldn’t be hard to demonstrate why, and Apple certainly has the resources to put in that kind of effort. Moreover, doing so indicates that they want to earn the trust of their customers, instead of demanding it.
And:
Apple emerges from all of this looking great, and everybody (Apple, Consumer Reports, and consumers) walks away with a better understanding of the issue.
This is exactly where the bar should be set. Truth seeking behavior.
[VIDEO] Lots of rain and water accumulation. Should help point out any leaks before all the finish work is done. Still a fair amount of work to do, but things are really taking shape. Video in the main Loop post.
Mac Rumors:
In the U.S. last month, an estimated 75% of revenue from headphones sold online came from wireless models, up from 50% in December 2015, according to Slice Intelligence. Apple’s new AirPods led the way, capturing an estimated 26% share of online revenue in the wireless headphone market since launching on December 13.
And:
AirPods stole the top spot from Beats, which took an estimated 15.4% of online revenue in the wireless headphone market, down from 24.1% between the start of 2015 and December 13. Given it owns Beats, Apple appears to have actually taken nearly 40% of online revenue in the market since launching AirPods.
I regularly see Apple’s traditional white EarPods as well as Beats over ear headphones out in public. But I have yet to see a single pair of AirPods in the wild. I expect this is wave, still too far from shore to see. Could also be a sign that people tend to use AirPods in more private settings.
But given the huge sales numbers, I think this will change, especially in cold weather climates as Spring arrives and more and more people are hanging around outside.
Jeremy Burge, Emojipedia:
The Google design team were months ahead of Apple with new emoji in the past year. Support for the latest emojis came to Android in the major Nougat release in August of 2016.
Yet the vast majority of Android users still can’t see these new emojis.
What they see, instead, are empty rectangles. Why? Lack of timely Android updates.
New emojis are bundled with system updates for iOS and Android, as emoji fonts and relevant Unicode support is provided at an OS level1.
This system should work well, but the weak link is relying on manufacturers to provide updates in a timely manner.
Vlad Savov reported in September2: most phones at IFA (large tech show in Europe) were running a year-old version of Android.
And:
These aren’t old phones not getting updates: they’re brand new phones running an out of date OS. It’s not a good sign.
Great post from someone who really knows the emoji business. One takeaway? Know that if you are including emoji in a text heading to an Android phone, the recipient might be getting rectangles.
Horace Dediu, Asymco:
In its first 10 years, the iPhone will have sold at least 1.2 billion units, making it the most successful product of all time. The iPhone also enabled the iOS empire which includes the iPod touch, the iPad, the Apple Watch and Apple TV whose combined total unit sales will reach 1.75 billion units over 10 years. This total is likely to top 2 billion units by the end of 2018.
And:
The revenues from iOS product sales will reach $980 billion by middle of this year. In addition to hardware Apple also books iOS services revenues (including content) which have totaled more than $100 billion to date.
This means that iOS will have generated over $1 trillion in revenues for Apple sometime this year.
Simply remarkable.