As part of the partnership, Sprint will acquire 33 percent of TIDAL. JAY Z and the artist-owners will continue to run TIDAL’s artist-centric service as it pioneers and grows the direct relationship between artists and fans. The formidable pairing of Sprint and TIDAL will grow customers on both platforms by offering exclusive access for customers who subscribe to TIDAL. Sprint’s chief executive officer, Marcelo Claure, will also join TIDAL’s Board of Directors.

Everyone wants in on music streaming, so this makes sense for Sprint—it’s an extra it can offer its customers. It also makes sense for Tidal because things haven’t been going well for them. Even Kanye West was begging Apple to buy Tidal.

The Kemper Profiler is quite an interesting machine. I haven’t talked to anyone that doesn’t like it and at NAMM they released some new delays, along with other software. Delays in the hands of an expert, like in this video, sound incredible.

From powerful new loop-based music creation and trying ideas via Revision History, to timesaving workflows that simplify editing and post production, Pro Tools enables you to create at the speed of your imagination—without limits.

The new version of Pro Tools looks impressive. I watch a couple of demos at NAMM last weekend and was impressed with what I saw—I’ll be getting the update.

Samsung Electronics Co Ltd indicated on Monday that its latest flagship Galaxy S smartphone could be delayed as it pledged to enhance product safety following an investigation into the cause of fires in its premium Note 7 devices.

Good idea. Let’s not endanger the public again.

I love Jackson guitars—especially the Dinky models. I have six Jacksons and they all play so well and feel really good in my hands.

20 years, the world’s greatest artists have used Blue in the studio. Now we’ve built a wireless headphone that delivers every detail of their music, everywhere you go. Satellite combines legendary Blue sound quality with proprietary active noise cancelling (ANC) to ensure your music is never compromised. Together with premium wireless technology and a built-in audiophile amp, Satellite is a new benchmark for the modern listening experience.

These headphones are light-weight, have noise-cancelling, and a built-in amp. I didn’t get a chance to listen to them, but I’m really interested to hear how they sound. I’ll be keeping an eye on these.

Nowadays, you probably listen to more music on your laptop than anywhere else. That’s why we designed Sadie—a headphone that liberates digital music from overhyped playback so you can enjoy true high fidelity on your laptop and mobile devices. It’s the headphone for a new generation of music lovers.

These are nice sounding headphones for the money. I had a chance to listen to them at NAMM at was impressed.

After roughly eight years of using Adobe Premiere Pro as our preferred NLE system, a few months ago we made the transition to Final Cut Pro X. This was not an easy decision, we debated amongst ourselves and as a result came up with many pros and cons for staying with or leaving Adobe Creative Cloud. We found that there were really two debates taking place when we discussed leaving Creative Cloud: firstly, the hardware debate of making the switch from PCs to Macs, and secondly the software debate of making the switch from Premiere Pro to Final Cut X.

There are two parts to the story, so be sure to read both. This is a professional business and they explain why they made the switch from PC to Mac, and from Premiere to Final Cut Pro.

Samson’s Go Mic Mobile is the first professional wireless microphone system that connects directly to smartphones without the need for cumbersome adaptors or interfaces, turning your phone into a pro-level video camera capable of capturing high definition audio anywhere.

This looks very cool. It literally piggybacks on the iPhone so you have access to all of the controls on the Go Mic Mobile. I need to get one of these.

iRig Pro I/O is the next generation of the iRig Pro — the first mobile interface for connecting all of your studio gear to your iPhone, iPad, Mac, PC or Android device to play and record on the go.

iRig is a great little device. You can use it with your computer or iOS devices, so it’s very versatile for the money. I’ve had a number of iRigs throughout the years and used IK Multimedia’s AmpliTube software, which I also found to be very good. I’ll check this out today at the NAMM show.

It’s a compact acoustic microphone and advanced digital preamplifier and processing unit that recreates a studio microphone set-up providing you with all of the true character and tonal nuance of your acoustic in live playing situations. Simply clip the iRig Acoustic Stage’s microphone to the sound hole, attach it to the iRig Acoustic Stage pre-amplifier processor, then connect the preamp to your amplifier or mixer. iRig Acoustic Stage also features a “Cancel Feedback” button that gets rids of annoying frequency feedback during performance.

I got a demo of this yesterday and it was pretty impressive. If you play an acoustic live, you should take a look at this.

Samson’s AirLine 88 Wind Instrument system offers true wireless freedom without the hassle of a beltpack or cable. Featuring a clip-on transmitter with a shockmounted microphone and adjustable gooseneck, this frequency-agile UHF wireless system provides high definition sound and 300′ of reliable wireless operation for saxophones, trumpets, trombones and other wind instruments.

I’m going to have a look at this today at the Samson booth.

Samson’s Q7x and Q8x provide exceptional sound reproduction for live and studio vocal and instrument performances, as well as presentations and podcasting. And with updated body designs and improved capsule shockmount systems, these mics provide reliable performance in even the most demanding environments. The Q7x and Q8x will be available March 2017.

I haven’t tried these mics from Samson, but I like the company and do use other gear from them.

As NAMM gets ready to kick off in Anaheim on Thursday, Apple released updates for two of its music apps, Logic Pro X and GarageBand for iOS.

The new year is underway and we’ve opened up sponsorships for the first couple of months. If you want to get your product or service in front of The Loop readers, this is the only way to do it. Weekly sponsorships are exclusive, so you’ll be the only sponsor on the site. We have some great pricing to kick off the new year as well, so check it out.

I really liked Avid’s Eleven guitar software, but it seems they didn’t do much with it for the past couple of years. Now they have—A new version of Eleven powers the Headrush pedalboard. I can’t wait to see this at NAMM.

In the list of iconic recording studios, Music Shoals Sound Studio is right up there with the most famous. During its heyday of the 70s, the studio hosted a wide array of artists that produced dozens of hit records, including Aretha Franklin, Cher, Boz Scaggs, The Rolling Stones, the Staple Singers, Bob Seger, Traffic, Willie Nelson, Rod Stewart, Paul Simon, Leon Russell and Lynyrd Skynyrd. The studio closed in 1978, but thanks to a grant from Beats By Dr. Dre, the studio is set to reopen once again.

I am so incredibly happy to hear this—Muscle Shoals was part of some amazing music.

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Consumer Reports is an irresponsible organization that rushed to publish its faulty MacBook Pro results before Christmas only to be caught and have to backtrack. I don’t trust a word these people say about anything.

Today, we’re starting to roll out an updated ride services experience to make it even easier for you to book a ride directly from Google Maps, on both Android and iOS globally.

Having it take you out of Google Maps and into Uber or Lyft was really clumsy. This will work much better and offer a better solution. I did try the same feature in Apple Maps, but every time I used the feature, it crashed the app, so I just stopped.

iPhone app purchasers may sue Apple Inc over allegations that the company monopolized the market for iPhone apps by not allowing users to purchase them outside the App Store, leading to higher prices, a U.S. appeals court ruled on Thursday.

Wait a minute. People want to sue Apple because they feel they could buy the apps cheaper if Apple didn’t have a monopoly on the App Store? This is absolutely insane. Apps cost under $1 in a lot of cases—how much do people think developers work is worth? The clear answer is nothing—they want it all for free.

What the protections Apple provides in the App Store? Specifically apps free from malware and other malicious code. The safety and sense of security purchasing from the App Store is very important.

This is ridiculous.

Tremolo systems first started appearing on guitars in the 1930s and have evolved multiple times in the ensuing decades.

Utilizing tremolo can be an integral aspect of your sound—see: Duane Eddy, Jimi Hendrix, David Gilmour, Jeff Beck and Eddie Van Halen—or add a splash of color to your style.

But what is a tremolo system, how does it work and what are the benefits of one system over another?

Some of my favorite guitarists used a tremolo a lot, but I never really used it that much in my own playing. Using it properly is definitely an art.

A spate of top engineers have left Apple for Tesla and other companies over the last few months. What’s going on?

The moves to Tesla are certainly interesting, but I wouldn’t read too much into the overall trend. Apple gains and loses people all the time and we never hear about it. It’s always been like this.

In Fender Collection 2 you’ll get all of the glorious “tweeds” from the ’57 Custom Series, a refined, player-centric take on a classic platform that includes the ’57 Deluxe, the ’57 Champ, ’57 Pro, ’57 Twin and ’57 Bandmaster.

Plus you get a spot-on model of an original 1953 Bassman and a 1965 blackface Super Reverb.

It’s hard to argue how iconic some of these amps are. IK has done a great job in the past bringing some of the most sought after amps to the public in its AmpliTube products.

We will start with an overview and work our way to create a Koala in pure CSS.

There’s also a video you can watch as well as the written instructions.

We would like to welcome Chris Lattner, who will join Tesla as our Vice President of Autopilot Software. Chris’ reputation for engineering excellence is well known. He comes to Tesla after 11 years at Apple where he was primarily responsible for creating Swift, the programming language for building apps on Apple platforms and one of the fastest growing languages for doing so on Linux.

That explains what happened.

I’m happy to announce that Ted Kremenek will be taking over for me as “Project Lead” for the Swift project, managing the administrative and leadership responsibility for Swift.org. This recognizes the incredible effort he has already been putting into the project, and reflects a decision I’ve made to leave Apple later this month to pursue an opportunity in another space.

As Gruber says, I’d love to know what the other opportunity is.

Over the years, Sonos has weathered competition from better known rivals like Apple and Bose to find a devoted audience among audio enthusiasts. But lately its wireless speaker has lost ground to an unexpected competitor, Amazon’s Echo.

Now it faces another challenge: a change in the corner office. After 14 years leading the company he helped found, John MacFarlane has resigned as chief executive of Sonos and has been replaced by one of his deputies, Patrick Spence.

I don’t understand the competition. To me, Sonos and Echo serve different purposes—Sonos is a wonderful wireless speaker system and Echo is more of an assistant.

China’s largest mobile social media network WeChat is offering its 768 million users a function which allows them to by-pass app stores such as Apple’s.

I’m not really clear on how they implemented this, but bypassing the App Store is certainly not something Apple is likely to look kindly on.

Back in December, Consumer Reports issued a statement saying they could not recommend Apple’s new MacBook Pro because the latest batch of MacBook Pro laptops exhibited “battery life results (that) were highly inconsistent from one trial to the next.”