Re/code:

Academy Award-winning screenwriter Aaron Sorkin uses actual events to take the audience on an imagined — as in, fictional — series of fast-paced exchanges in the minutes before the curtain would rise on the introduction of each product.

But the writer and director weren’t looking to create a biopic that rigidly adhered to the details of Jobs’s life — rather, they wanted to create an “impressionistic portrait” that drew from real-life events.

The story is populated by events that never happened — such as a dramatic reimagining of preparations for the Mac’s demo in which it blows up in rehearsal, instead of declaring, “Hello, I am Macintosh. It sure is great to get out of that bag” — and long, stinging exchanges that aren’t drawn from any of the six biographies written about Jobs.

I’ll still see the movie but will be disappointed if only because I would have preferred more “reality”. Steve Jobs was such a fascinating person that his life story, in my opinion, doesn’t need the kinds of embellishments described in this review.