What it’s like to design a font from scratch

Fast Company:

Steve Matteson has designed some of the most ubiquitous typefaces in the world, and engineered the original core fonts for Microsoft, adapting Times New Roman, Arial, and Courier, which you’ve probably used for term papers or resumes or anything else you wrote in Word. He has also created some less-classic designs that he’s not too proud of, such as “Curlz,” which falls in the Comic Sans camp of typefaces reserved for high school yearbooks, princess-themed birthday party invitations, and mockery.

But that is the plight of a professional font designer: One day you get to make lasting letter sets, the next you have to pay the bills. “Sometimes you have to do work that you’re not really proud of,” Matteson told Fast Company. “That’s why we call it work instead of play.”

I know literally nothing about fonts – I couldn’t point out Geneva if you put a gun to my head – but the process is endlessly fascinating to me.